Hi,
It would be great to have Exr 2.2 with DWAA compression available in Fusion. It is lossy, but produces very decent image while saving considerable amount os disk space.

Version 2.2 is in the wild for more than two years. Even Adobe can read and write it now, as well as Resolve. I do believe it also contains some read speed improvements.

Thank you,
Jirka

DNG management inside of the LD is horrible. Tons of unnecessary I/O and the cache is 400% larger than it needs to be. Loaders can't be instanced, so any changes made to one LD can't be easily replicated in other LD's.

What would make more sense is to load in DNG images as mono int16 images and have a tool that did the development . This would allow much more efficient workflows.

Copy/paste between Fusion and Resolve, even if indirectly. Meaning, for example, a Resolve grade node should be able to be pasted into Fusion, even if the UI is different, so that rendering can be executed from either application. On the Resolve side, that would involve calling an instance of Fusion, but at least we'd have interoperability without the disk I/O.

when you import an alembic file, it would be great to have the option of turning off all the mesh you don't want at the start.
this can avoid the long wait for it to load a massive batch of nodes that you then need to go through meticulously in order to find that one you do want to have before you can eventually remove the ones you don't want.

if there is already a fast way to do this, please let me know!
thanks

Fusion already supports OCIO colour transforms and OCIO configs, which is great.

However, there seems to be no OCIOdisplay functionality. Meaning that LUTs and display configurations as specified in the OCIO config are completely ignored?

This currently makes for a pretty crippled OCIO setup. I hope that this can be added soon, since all of our current projects rely on it.

Also missing is support for OCIO looks.

For those here on the forum wanting to read a little more about this and what...

A realtime feed from a blackmagic capture card. So I can do live composites and line-ups for the Director and DOP while on location.
E.g. frischluft lensfeed