Midgardsormr wrote: ↑Wed Feb 13, 2019 8:10 am
The biggest lesson we learned as a result is that you cannot hide anything in the super-whites any more.
Best tip for working in HDR. I've seen results of comp work on HDR monitors and it's shocking. Almost literally so - the difference in brightness between shots can be so large it makes you blink.
Anyway, I remember seeing a couple of 'simple' car comps (people in car talking, green screen BG) and you could see all the edge extend gags as a big grey outline around the characters. Horrible stuff.
Working for HDR isn't so hard, but you need to keep aware that - as Bryan said - there is no wiping dirt under the carpet anymore. I love the range, though. I'd much rather see a jump to HDR than one to 8K at this time.