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— To copy and paste Trim Metadata for all Target Displays: Do one of the following:
— Select a clip you want to copy from, choose Edit > Dolby Vision > Copy Trim Metadata,
then select a clip you want to paste to, and choose Edit > Dolby Vision > Paste Trim Metadata.
— Select a clip you want to copy from, choose Copy Trim Metadata from the Dolby Vision palette option menu, then select a clip you want to paste to, and choose Paste Trim Metadata from the Dolby Vision palette option menu.
— Select a clip you want to paste to, then press and hold the Option-Shift keys, and middle-click the clip you want to copy from.
— To copy and paste Trim Metadata for the current Target Display: Do one of the following:
— Select a clip you want to copy from, choose Copy Trim Metadata from the Dolby Vision palette option menu, then select a clip you want to paste to, and choose Paste Trim Metadata to Current from the Dolby Vision palette option menu.
— Select a clip you want to paste to, then press and hold the Option key, and middle-click the clip you want to copy from.
— To copy and paste Mid Tone Offset: Select a clip you want to copy from, choose Copy Mid Tone Offset from the Dolby Vision palette option menu, then select a clip you want to paste to, and choose Paste Mid Tone Offset from the Dolby Vision palette option menu.
Setting Up Resolve Color Management for Grading HDR
Once the hardware is set up, setting up Resolve itself to output HDR for Dolby Vision mastering is easy using Resolve Color Management (RCM). This procedure is pretty much the same no matter which HDR mastering technology you’re using; only specific Output Color Space settings will differ.
1 Set Color Science to DaVinci YRGB Color Managed in the Color Management panel of the Project Settings.
2 Then, open the Color Management panel, and set the Output Color Space drop-down to the ST.2084 setting that corresponds to the peak luminance, in nits, of the grading display you’re using. For example, if you’re grading with a Sony BVM X300, choose ST.2084 1000 nit, but if you’re grading with a Flanders Scientific XM310K, choose ST.2084 3000 nit, in order to use the full capabilities of each display. Be aware that whichever HDR setting you choose will impose a hard
clip at the maximum nit value supported by that setting. This is to prevent accidentally overdriving HDR displays for which there are negative consequences (not all HDR displays have this limitation).
— ST.2084 300 nit
— ST.2084 500 nit
— ST.2084 800 nit
— ST.2084 1000 nit
— ST.2084 2000 nit
— ST.2084 3000 nit
— ST.2084 4000 nit
This setting is only the output EOTF (a sort of gamma transform, if you will, using the terminology that DaVinci Resolve’s UI has used up until now).