DaVinci Resolve Reference Manual 18.6

December 2023

Reference Manual

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COLOR

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FAIRLIGHT

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DaVinci Resolve 18.6

Welcome

Welcome to DaVinci Resolve for Mac, Linux and Windows!

DaVinci is the world’s most trusted name in color and has been used to grade more Hollywood films, TV shows, and commercials than anything else. With DaVinci Resolve, you get a complete set of editing, advanced color correction, professional Fairlight audio post production tools and Fusion visual effects combined in one application so you can edit, compose, grade, mix and master deliverables from start to finish, all in a single tool!

DaVinci Resolve has the features professional editors, colorists, audio engineers and VFX artists need, and is built on completely modern technology with advanced audio, color and image processing that goes far beyond what any other system can do. With this release, we hope to inspire creativity by letting you work in a comfortable, familiar way, while also giving you an entirely new creative toolset that will help you cut and finish projects at higher quality than ever before!

We hope you enjoy reading this manual. With its customizable interface and keyboard shortcuts, DaVinci Resolve is easy to learn, especially if you’re switching from another editor, and has all of the tools you need to create breathtaking, high end work!

The DaVinci Resolve Engineering Team

Grant Petty

CEO Blackmagic Design

Contents Getting Started DaVinci Resolve Interface Introduction to DaVinci Resolve The Project Manager Preferences and Project Settings Switching Among Pages The Media Page The Cut Page The Edit Page Motion Graphics and Visual Effects in DaVinci Resolve The Fusion Page Media Pool The Color Page The Fairlight Page Mixer The Monitoring Panel The Deliver Page Using the DaVinci Resolve User Interface Basic Documentation Terminology Customizing the DaVinci Resolve Interface DaVinci Resolve User Interface Conventions Using a Mouse or Other Input Device Mouse, Trackpad, and Tablet Behaviors Keyboard Shortcuts Undo and Redo in DaVinci Resolve Setup and Workflows Managing Projects and Project Libraries Using the Project Manager Managing Project Libraries Quick Access to Recent Projects from the File Menu Saving Projects Project Notes Dynamic Project Switching Archiving and Restoring Projects System and User Preferences DaVinci Resolve Preferences System User Keyboard Customization DaVinci Control Panels Setup DaVinci Control Panels Setup DaVinci Control Panels Setup Layout Using DaVinci Control Panels Setup Project Settings What Are the Project Settings?Presets Master Settings Image Scaling Color Management General Options Camera Raw Capture and Playback Subtitles and Transcription Fairlight Path Mapping Camera Raw Settings Camera Raw Decoding Explained ARRI ALEXA Blackmagic RAW Canon RAW CinemaDNG Panasonic Varicam RAW Phantom Cine RED Sony RAW Improving Performance, Proxies, and the Render Cache Understanding the GPU Status Display Prioritizing Audio or Video Playback in the Edit Page Performance Mode Improves Overall Performance Timeline Proxy Mode Improves Effects Performance Reducing Decode Quality Improves Raw Media Performance Optimized Media Improves Overall Performance Using the Smart or User Cache Improves Effects Performance Manually Controlling the Cache The Cache Manager Using Proxy Media Using Optimized Media, Proxy Media, and Caching Together Which Playback Optimization Method Should I Use?Other Project Settings That Improve Performance Data Levels, Color Management, and ACES Data Levels Settings and Conversions Introduction to DaVinci Resolve Color Management Simple RCM Setup Advanced RCM Setup Color Management Using ACES HDR Setup and Grading High Dynamic Range (HDR) Grading in DaVinci Resolve Dolby Vision® SMPTE ST.2084 and HDR10 HDR10+™HDR Vivid Hybrid Log-Gamma (HLG)Image Sizing and Resolution Independence About Resolution Independence Timeline Resolution Clip Source Resolution The DaVinci Resolve Sizing Pipeline Output Blanking Format Resolution on the Delivery Page Rendering Sizing Adjustments and Blanking Data Burn-In Data Burn-In Project vs. Clip Mode Setting Up Burned-In Metadata Data Burn-In Metadata Custom Output Options Gang Rendered Text Styles Prefix Render Text Frame.io and Dropbox Replay Integration Enabling Frame.io Integration in Preferences Deliver and Upload to Frame.io Frame.io Comments Sync with Timeline Markers Importing Media from Frame.io Linking Media Pool Clips and Timelines with Frame.io Clips Enabling Dropbox Replay Integration in Preferences Deliver and Upload to Dropbox Replay Dropbox Replay Comments Sync with Timeline Markers Resolve Live More About Resolve Live Configuring Your System for Resolve Live Grading Live Resolve Live Audio Monitoring Using Resolve Live Grades Later Using LUTs in Resolve Live Workflows Stereoscopic Workflows Stereoscopic Workflows Hardware Requirements for Working in Stereo 3D Supported Stereo 3D Media Creating Stereo 3D Clips From Separate Files Monitoring Stereoscopic 3D in the Edit Page Converting Clips Between Stereo and Mono Attaching Mattes to Stereo 3D Clips Organizing and Grading Stereo 3D Dailies Conforming Projects to Stereo 3D Media Adjusting Clips Using the Stereo 3D Palette Outputting Stereo 3D Media in the Deliver Page Using Variables and Keywords Using Metadata Variables Using Keywords Keyword Dictionary Assign and Apply Favorite Keywords to Clips and Markers Ingest and Organize Media Using the Media Page Understanding the Media Page User Interface Viewer Media Pool Metadata Editor Audio Panel Dual Monitor Layout Customizing the Media Page Undo and Redo in DaVinci Resolve Adding and Organizing Media with the Media Pool Copying Media Using the Clone Tool Adding Media to the Media Pool Adding Media to the Cut, Edit, Fusion, and Fairlight Pages Removing Media From the Media Pool Removing Unused Media from a Project Adding and Removing External Mattes Adding Offline Reference Movies Extracting Audio in Media Storage Manually Organizing the Media Pool Import and Export DaVinci Resolve Project Bins (.drb)Import and Export DaVinci Resolve Timelines (.drt)Sharing Media Among Projects Using Power Bins Automated Organization Using Smart Bins Duplicating Clips in the Media Pool Choosing How to Display Bins Finding Clips, Timelines, and Media Tracking Media Usage Relinking Media Simply Using Clip Metadata Editing Clip Metadata Using the Metadata Editor Editing Metadata Using the File Inspector Audio Classification for Clips (Studio Version Only)Face Detection to Generate People Keywords Creating Custom Metadata Groups Importing and Exporting Media Pool Metadata Different Ways of Using Clip Metadata Renaming Clips Using Clip Names Using the Inspector in the Media Page Using the Inspector Adjusting Media Pool Clips in the Inspector Syncing Audio and Video Syncing Audio to Video Syncing Audio to Video Using Timecode Syncing Audio to Video by Matching Waveforms Manually Syncing Audio to Video Offsetting the Sync of Previously Synced Clips Finding Synced Audio Files Displaying Synced Audio File Names on the Timeline Modifying Clips and Clip Attributes Adjusting Media Pool Clips in the Inspector Changing Clip Attributes Update Timecode from Audio – LTC Changing Clip Thumbnails in the Media Pool Creating Subclips Organizing Stereo 3D Media Camera Raw Decoding Using Scene Detection Scene Cut Detection on the Timeline (Studio Version Only)Scene Detection in the Media Page An Example Scene Detect Workflow Ingesting From Tape Tape Ingest The Tape Capture Interface Setting Up to Capture From Tape The Three Methods of Capture Batch Capture Via EDL Capturing From the Cintel Film Scanner Controlling the Cintel Film Scanner The Cut Page Using the Cut Page Overview of the Cut Page Choose Settings Before You Start The Media Pool The Viewer Audio Meter The Timeline Undo and Redo in DaVinci Resolve Importing and Organizing Media in the Cut Page Importing Media Removing Media Organizing Media into Bins ATEM Switcher Integration Media Pool Views Sorting and Searching Clip Color Generate Optimized Media Relinking Media Fast Editing in the Cut Page Creating and Modifying Timelines Navigating Clips in the Viewer and Timeline Setting In and Out Points Video Only and Audio Only Edits Drag and Drop Editing Using Cut Page Edit Commands Subtitles Source Tape Editing Sync Bin Multicam Editing Audio Transcription and Text Based Editing (Studio Version Only)Trimming in the Cut Page Tools That Help You Work in the Timeline Making Selections Moving Clips in the Timeline Splitting Clips Disabling and Deleting Clips Trimming Clips Using the Inspector in the Cut Page Using the Inspector Video and Audio Effects in the Cut Page Adding Transitions Titles Adding Resolve FX and Other Plugins Clip Tools Smart Reframe (Studio Version Only)Quick Export Quick Export Edit Using the Edit Page The Edit Page User Interface Navigating the Edit Page The Media Pool More About Timelines and Grading Using the Effects Library Index Source and Timeline Viewers Metadata Editor Inspector Timeline Toolbar The Mixer and Meters Using Video Scopes Floating Timecode Window Customizing the Edit Page Undo and Redo in DaVinci Resolve Creating and Working with Timelines Keyboard Shortcuts in This Chapter Creating and Duplicating Timelines Adding Media Pool Timelines Directly to the Render Queue Import and Export DaVinci Resolve Timelines (.drt)Backing Up and Restoring Timelines Timeline View Options Modifying Timeline Tracks Naming Timeline Tracks Using the Tracks Index Using Timeline Snapping and Zooming Scrolling Through the Timeline Resizing the Timeline’s Video and Audio Track Regions Using the Tracks Index Tabbed and Stacked Timelines Duplicate Frame Detection Comparing Timelines Preparing Clips for Editing and Viewer Playback Keyboard Shortcuts in This Chapter Browsing Clips in the Media Pool Selecting Clips in the Media Pool to Edit Duplicating Clips in the Media Pool Viewer Playback and Navigation Moving the Playhead Using Timecode Gang Viewers (Playhead Ganging)Adding Markers Setting In and Out Points Turning In and Out Points into Markers With Duration and Back Again Organizing Media by Creating Subclips Audio Transcription and Text Based Editing (Studio Version Only)Editing Basics Keyboard Shortcuts in This Chapter Drag and Drop Editing Inserting Multiple Clips into the Timeline From the Media Pool Audio Track Creation While Editing Using Keyboard Shortcuts and Three-Point Editing to Assemble a Program Making Selections in the Timeline Using Auto Select Controls to Define Selections Locking Tracks You Don’t Want to Change Position Lock for Finishing Disabling and Re-Enabling Clips in the Timeline Deleting Clips and Gaps From the Timeline Audio/Video Linking Using the Inspector in the Edit Page Using the Inspector Modifying Clips in the Timeline Keyboard Shortcuts in This Chapter Moving, Resizing, and Rolling Clips in Selection Mode Trimming Gaps Modifying Clip Duration Via Timecode Resizing or Trimming Clips in the Source Viewer Shuffle/Swap Insert Edits Splitting and Joining Clips Enabling and Disabling Clips and Tracks Copying and Pasting Clips in the Timeline Auto Align Clips Duplicating Clips and Transitions in the Timeline Scene Cut Detection on the Timeline Clean Up Video Tracks Three- and Four‑Point Editing Keyboard Shortcuts in This Chapter Introduction to Three-Point Editing Choosing a Track to Edit and Using Destination Controls Setting In and Out Points in the Timeline Mark Clip and Mark Current Selection Preview Marks During Three‑Point Editing The Rules of Three-Point Editing Switch Focus to Timeline After Edit Different Types of Three‑ and Four‑Point Edits Three-Point Editing From the Media Pool Marking and Finding Clips in the Timeline Using Flags Using Markers Copy and Paste Multiple Markers in the Viewers and Timeline Drawn Annotations on the Viewer Reading Marker Information Using Markers for Navigation Using Timeline Markers for Chapters Using Markers in the Marker Index Exposing Markers in Lists Using Markers in the Media Pool Hiding Markers By Color Deleting Markers By Color Renaming Clips in the Timeline Color Labeling Clips in the Timeline Track Colors Finding Clips, Media, Markers, Gaps, and Timelines Finding Media Using Match Frame Operations Finding a Clip in the Media Pool Using a Timeline Clip Tracking Media Usage Multicam Editing Introduction to Multicam Editing Creating and Modifying Multicam Clips Logging and Editing Multicam Clips Setting up a Timeline for Multicam Editing Opening and Altering Multicam Clips Performing a Multicam Edit Multicam Controls in the Source Viewer Editing Multicam Clips in the Timeline Grading Multicam Clips Take Selectors, Compound Clips, and Nested Timelines Take Selectors Compound Clips Nested Timelines Converting Compound Clips or Timelines to Multicam Clips Trimming Keyboard Shortcuts in This Chapter Summarizing Trim Operations Selection-Based Trimming Using the Trim Tool Using the Trim Tool With the Mouse Trim Tool Operations With the Keyboard Trimming Using Timecode Entry Commands to Make Selections and Trim Trimming Clips in the Source Viewer Ripple Editing Rules Using Auto Select Controls to Control Trimming Trimming Multiple Edits or Clips at Once Keyboard Trimming During Looped Playback Dynamic JKL Trimming Trim Operations that are Targeted Using the Playhead Working with Audio in the Edit Page Audio in the Edit vs. Fairlight Pages Compatible Audio Formats Assigning Audio Channels in the Media Pool Mono-Multichannel Audio Files with Suffixes Import as a Multichannel Clip Editing Audio Into the Timeline Editing Audio In the Timeline Using In and Out Points Resizing Audio Clips in Subframe Increments Audio Settings in the Inspector Setting Volume Pan Pitch Equalizer Keyframing Audio Audio Fade Handles Audio Crossfades The Audio Mixer Audio Compound Clips Audio Playback for Variable Speed Clips Using Audio Filters The Fairlight Page Pro Tools Export Media Management What Is Media Management in DaVinci Resolve?Media Management of Timelines Creates .drt Files File Formats That Are Compatible With Media Management Using Media Management Continuing Media Management Jobs on Error Options in the Media Management Window File Naming When You Consolidate Media Editing Effects and Transitions Editing, Adding, and Copying Effects and Filters Using the Effects Library Converting Fusion Compositions to Edit Effects Seeing Effects in the Timeline Using the Inspector Adding Filters to Video Clips Render in Place Adjusting Multiple Clips at the Same Time Adjustment Clips Paste Attributes Remove Attributes Using Transitions Working With Transitions Previewing Transitions Adding and Editing Transitions Adding Transitions When There’s Not Enough Handles Adding Transitions By Dragging to Create Overlap Transition Properties in the Inspector Favorite Transitions Changing the Standard Transition Creating Transition Presets Changing Transitions to Fusion Compositions Video Transitions Resolve FX Transitions Audio Transitions OpenFX Transitions Titles, Generators, and Stills Adding Titles Using Safe Area Overlays Types of Title Generators DaVinci Resolve Title Generators The Text+ Title Generator Saving Titles in the Media Pool for Future Use Using Generators Using Stills Using the DaVinci Resolve Speed Editor and Editor Keyboard Introducing the DaVinci Resolve Speed Editor Connecting the Speed Editor via USB-C Connecting the Speed Editor via Bluetooth Resetting the Speed Editor Using the Speed Editor Keys Navigation Using the Search Dial Intelligent Keyboard Edit Modes Search Dial Live Trimming Tools Transition Keys Function Keys Sync Bin Multi Camera Selection Live Overwrite Mode Introducing the DaVinci Resolve Editor Keyboard Connecting the Editor Keyboard via USB-C Updating the Editor Keyboard Firmware Navigation Using the Search Dial Sort Media Pool Keys Editorial Tools Search Dial Live Trimming Tools Transition Keys Function Keys Timecode Entry QWERTY Keyboard Commands Editor Keyboard Function (Fn) Key Map Using the Speed Editor and Editor Keyboard In Other DaVinci Resolve Pages Compositing and Transforms in the Timeline Composite Modes and Transparency Effects More About Composite Modes Opacity Video Fader Handles Alpha Channel Support Keying in the Timeline Using Resolve FX Using Resolve FX and Open FX Alpha for Track Compositing Transform and Cropping in the Video Inspector Onscreen Controls for Transform, Crop, and Dynamic Zoom Speed Effects Speed Effects and Retiming Creating Freeze Frames Creating Simple Linear Speed Effects Speed Change Controls in the Video Inspector Clip Retiming Controls Using Retime Curves Speed Effect Processing Subtitles and Closed Captioning Subtitles and Closed Captioning Support Importing Subtitles and Captions Adding Subtitles and Captions Manually Create Subtitles from Audio (Studio Version Only)Editing Subtitles and Captions Subtitle Regions Naming Subtitle Tracks Exporting Subtitles and Closed Captions Keyframing Effects in the Edit Page Keyframing Effects in the Edit Page Keyframing in the Video Inspector Keyframing Motion Paths in the Timeline Viewer Keyframing in the Edit Timeline and Curve Editor Keyframable Open FX and Resolve FX VFX Connect Using VFX Connect How Clips are translated into Node Trees Altering VFX Connect Clips Sending a VFX Connect Directory to Another Machine Updating VFX Connect Clips Using Render Media and Refresh Import and Conform Projects Preparing Timelines for Import and Comparison Preparing to Move Your Project to DaVinci Resolve Importing Effects when Conforming Edits Verifying Imported Timelines Using Offline References Conforming and Relinking Clips Conforming and Relinking Media The Difference Between Unlinked and Missing Clips Duplicate Clips are Considered Separate Sources Summary of Methods for Conforming and Relinking Conform Multiple Selected Timelines Unlinking Clips Conforming Clips During XML and AAF Import Importing Clips Before Importing an EDL, AAF, or XML Conform Missing Clips by Importing Their Source Media Using the Import Additional Clips Command Using Conform Lock As a Command Relinking Clips to Media Files on Disk Using “Change Source Folder” to Relink Clips Using the “Reconform From Bins” Command Using Reconform From Media Storage Understanding, Fixing, and Using Reel Conflicts Re-editing Media Directly to the Timeline How Grades Are Linked to Multiple Timelines Creating Digital Dailies for Round Trip Workflows Step 1–Ingest Media and Add/Edit Metadata Step 2–Sync Audio to the Dailies Step 3–Do Whatever Grading is Necessary Step 4–Export Media Suitable for Editing Step 5–Reconform Media to an EDL, AAF, OTIO, or XML Project File Step 6–Output Final Media for Finishing Conforming XML Files More About Conforming XML Files Importing XML Project Files Conforming AAF Files Supported Media Types in AAF Workflows Logged Errors When Importing AAF Simple AAF Import Performing an AAF Avid Round Trip Relinking Transcoded Media to AMA Media Audio AAF Import from Pro Tools Conforming EDL Files Conforming EDL Files EDL Export of a Project and Its Media Conforming EDLs to Individual Media Files Preconforming “Flat” Media Files to EDLs Override Input Color Space of Clips in Preconform Workflows Using Color Management Conforming “Flat” Media Files Using Split and Add Importing an EDL to a New Track Conforming OTIO Files More About Conforming OTIO Files Importing OTIO Project Files Conforming ADL Files More About Conforming ADL Files Importing ADL Project Files Fusion Fundamentals Introduction to Compositing in Fusion What Is Fusion?Exploring the Fusion Interface The Fusion User Interface Interface Toolbar Viewers Time Ruler and Transport Controls Toolbar Node Editor Status Bar Effects Library The Inspector Keyframes Editor Spline Editor Thumbnail Timeline in the Fusion Page The Media Pool in the Fusion Page Bins in Fusion Studio The Console Customizing Fusion Fusion Keyboard Remapping Fusion Studio Keyboard Remapping Undo and Redo Getting Clips into Fusion Preparing Compositions in the Fusion Page Using MediaIn Nodes Using Loader and Saver Nodes in the Fusion Page Importing Universal Scene Descriptor (USD) Files Preparing Compositions in Fusion Studio Using Proxies for Better Performance File Format Options Rendering Using Saver Nodes Rendering Overview Rendering with the Saver Node Using the Render Settings Dialog Setting Up Network Rendering in Fusion Studio Submitting Comps to Network Render Preparing Compositions for Network Rendering Other Uses of Network Rendering When Renders Fail Managing Memory Use Limitations of Render Nodes Troubleshooting Working in the Node Editor Learning to Use the Node Editor Navigating within the Node Editor Adding Nodes to a Composition Selecting and Deselecting Nodes Loading Nodes into Viewers Connecting and Disconnecting Nodes Connecting Merge Nodes Connection Options and Routers Swapping Node Inputs Extracting and Inserting Nodes Cut, Copy, and Paste Nodes Instancing Nodes Keeping Node Trees Organized Node Thumbnails Finding Nodes Custom Node Settings Node Modes Including Disable and Lock Node Editor Options Node Tooltips and the Status Bar Node Groups, Macros, and Fusion Templates Groups Macros Creating Fusion Templates Using Viewers Viewer Overview Loading Nodes into Viewers Position and Layout Zooming and Panning into Viewers Flipbook Previews Onscreen Controls Toolbars A/B Buffers Subviews Viewing Selective Channels The 3D Viewer Quad View Guides Domain of Definition and Region of Interest Managing Viewer Lookup Tables (LUTs)Viewer Preferences and Settings The Viewer Options Menu Locking the Viewer (Command-L)Additional Viewer Options Status Bar Information Editing Parameters in the Inspector Overview of the Inspector Customizing the Inspector Opening Nodes in the Inspector Pinning Multiple Nodes in the Inspector Hiding Inspector Controls Using the Inspector Header Versioning Nodes Parameter Tabs Inspector Controls Explained Animating Parameters in the Inspector Connecting Parameters Contextual Menus Customizing Node Parameters with User Controls Animating in Fusion’s Keyframes Editor Keyframing in the Inspector Keyframes Editor Overview Scaling and Panning the Timeline Working with Segments in the Timeline Working with Keyframes in the Timeline Timeline Filters Sorting in the Timeline Markers Autosnap The Spreadsheet Editor Customizing the Keyframes Editor Animating in Fusion’s Spline Editor Spline Editor Overview Spline Editor Interface Creating Animation Splines Working with Keyframes and Splines Filtering the Spline Editor Reshaping Splines Using the Toolbar Importing and Exporting Splines Animating with Motion Paths Animating Using Motion Paths Types of Control Points Tips for Manipulating Motion Paths Importing and Exporting Polylines Using Modifiers, Expressions, and Custom Controls The Contextual Menu for Parameters in the Inspector Using Modifiers Performing Calculations in Parameter Fields Using SimpleExpressions Customizing User Controls FusionScript Preferences Preferences Overview Categories of Preferences Preferences In Depth Customization Controlling Image Processing and Resolution Fusion’s Place in the DaVinci Resolve Image-Processing Pipeline What Viewers Show in Different DaVinci Resolve Pages Managing Resolution In Fusion Color Bit Depths Managing Color for Visual Effects Color Management Introducing Color Management in Fusion Using Resolve Color Management Using ACES Color Management in Resolve Using OCIO for ACES Color Management in Fusion Understanding Image Channels Channels in Fusion Using Channels in a Composition Understanding Premultiplication Multi Channel Compositing Compositing Layers in Fusion Applying Effects Compositing Two Clips Together Creating and Using Text Building a Simple Green-Screen Composite Rotoscoping with Masks Introduction to Masks and Polylines How to Use Masks with Other Nodes Creating and Editing Polylines In‑Depth Selecting and Adjusting Polylines Creating Softness Using Double Polylines Animating Polyline Masks Paint Paint Overview Types of Paint Nodes Setting Up the Paint Node Paint Node Workflow Editing Paint Strokes Editing Paint Strokes in the Modifiers Tab Animating and Tracking Paint Strokes Painting a Clean Plate Using the Tracker Node Introduction to Tracking Tracker Node Overview Basic Tracker Node Operation Viewing Tracking Data in the Spline Editor Tracker Inspector Controls Motion Tracking Workflow In Depth Dealing with Obscured Patterns Stabilizing with the Tracker Node Using the Tracker Node for Match Moving Connecting to Trackers’ Operations Using the Tracker as a Modifier Match Moving Text Example Planar Tracking Introduction to Tracking Using the Planar Tracker Setting Up to Use the Planar Tracker A Basic Planar Tracker Match Move Workflow Tips for Choosing Good Planes to Track Using Open FX, Resolve FX, and Fuse Plugins What Are Open FX?What Are Resolve FX?Applying Open FX and Resolve FX Plugins Introduction to Fuse Plugins 3D Compositing Basics An Overview of 3D Compositing 3D Compositing Fundamentals The Elements of a 3D Scene Software vs. GPU Rendering Loading 3D Nodes into the Viewer Transparency Sorting Material Viewer Transformations Parenting Cameras Lighting and Shadows Materials and Textures Projection Mapping Geometry Fog 3D and Soft Clipping Material and Object IDs World Position Pass Point Clouds 3D Camera Tracking Introduction to Tracking What Is 3D Camera Tracking?Outputting from the Camera Tracker Auto-Tracking in the Camera Tracker Matching the Live-Action Camera Running the Solver Exporting a 3D Scene for Efficiency Particle Systems Introduction to Particle Systems Anatomy of a Simple Particle System Particle System Distribution Particle Nodes Explained by Type Example Particle Systems Optical Flow and Stereoscopic Nodes Overview Working with Aux Deep Channels Optical Flow Workflows Stereoscopic Workflows Separate vs. Stack Setting Up Stereo in the Node Editor About the Disparity Channel Viewing of Disparity and Vector Channels Stereo and Optical Flow Best Practices Fusion Page Effects 3D Nodes Alembic Mesh 3D [Abc]Bender 3D [3Bn]Camera 3D [3Cm]Cube 3D [3Cb]Custom Vertex 3D [3CV]Displace 3D [3Di]Duplicate 3D [3Dp]Extrude 3D [3Ex]FBX Exporter 3D [FBX]FBX Mesh 3D [FBX]Fog 3D [3Fo]Image Plane 3D [3Im]Locator 3D [3Lo]Merge 3D [3Mg]Override 3D [3Ov]Point Cloud 3D [3PC]Projector 3D [3Pj]Renderer 3D [3Rn]Replace Material 3D [3Rpl]Replace Normals 3D [3RpN]Replicate 3D [3Rep]Ribbon 3D [3Ri]Shape 3D [3Sh]Soft Clip [3SC]Spherical Camera [3SC]Text 3D [3Txt]Transform 3D [3Xf]Triangulate 3D [3Tri]UV Map 3D [3UV]Weld 3D [3We]Modifier The Common Controls 3D Light Nodes Ambient Light [3AL]Directional Light [3DL]Point Light [3PL]Spot Light [3SL]The Common Controls 3D Material Nodes Blinn [3Bl]Channel Boolean [3Bol]Cook Torrance [3CT]Material Merge 3D [3MM]Phong [3Ph]Reflect [3Rr]Stereo Mix [3SMM]Ward [3Wd]The Common Controls 3D Texture Nodes Bump Map [3Bu]Catcher [3Ca]CubeMap [3Cu]Falloff [3Fa]Fast Noise Texture [3FN]Gradient 3D [3Gd]Sphere Map [3SpM]Texture 2D [3Tx]Texture Transform [3TT]The Common Controls Blur Nodes Blur [Blur]Defocus [Dfo]Directional Blur [DrBl]Glow [Glo]Sharpen [Shrp]Soft Glow [SGlo]Unsharp Mask [UsM]Vari Blur [VBl]Vector Motion Blur [VMB]The Common Controls Color Nodes ColorFX Revival Color Composite Nodes Dissolve [Dx]Merge [Mrg]MultiMerge [MMrg]The Common Controls Deep Pixel Nodes Ambient Occlusion [SSAO]Depth Blur [DBl]Fog [Fog]Shader [Shd]Texture [Txr]The Common Controls Effect Nodes Duplicate [Dup]Highlight [HIL]Hot Spot [Hot]Pseudo Color [PsCl]Rays [CIR]Shadow [Sh]Trails [Trls]TV [TV]The Common Controls Film Nodes Cineon Log [Log]Film Grain [FGr]Grain [Grn]Light Trim [LT]Remove Noise [RN]The Common Controls Filter Nodes Create Bump Map [CBu]Custom Filter Node [CFlt]Erode Dilate Node [ErDl]Filter Node [Fltr]Rank Filter Node [RFlt]The Common Controls Flow Nodes Sticky Note [Nte]Underlay [Und]Flow Organizational Nodes Groups Macro Pipe Router Fuses Fuses [Fus]Generator Nodes Background [Bg]Day Sky [DS]Fast Noise [FN]Mandelbrot [Man]Plasma [Plas]Text+ [Txt+]Text+ Modifiers The Common Controls I/O Nodes Loader Node [Ld]MediaIn Node [MI]MediaOut Node [MO]Saver Node [Sv]The Common Controls LUT Nodes File LUT [FLU]LUT Cube Analyzer [LCA]LUT Cube Apply [LCP]LUT Cube Creator [LCC]The Common Controls Mask Nodes Bitmap Mask [Bmp]B-Spline Mask [BSp]Ellipse Mask [Elp]Mask Paint [PnM]Polygon Mask [Ply]Ranges Mask [Rng]Rectangle Mask [Rec]Triangle Mask [Tri]Wand Mask [Wnd]The Common Controls Matte Nodes Alpha Divide [ADv]Alpha Multiply [AMl]Chroma Keyer [CKy]Clean Plate Delta Keyer Depth Map [DMp]Difference Keyer [DfK]Luma Keyer [LKy]Magic Mask [MagM]Matte Control [Mat]Primatte [Pri]Ultra Keyer [UKy]The Common Controls Metadata Nodes Copy Metadata [Meta]Set Metadata [SMeta]Set Timecode [TcMeta]The Common Controls Miscellaneous Nodes Auto Domain [ADoD]Change Depth [CD]Custom Tool [CT]Fields [Flds]Frame Average [Avg]Keyframe Stretcher [KfS]Run Command [Run]Set Domain [DoD]Time Speed [TSpd]Time Stretcher [TSt]Wireless Link [Wire]The Common Controls Optical Flow Optical Flow [OF]Repair Frame [Rep]Smooth Motion [SM]Tween [Tw]The Common Controls Paint Node Paint Paint Node Modifiers Keyboard Shortcuts Particle Nodes Particle Nodes pAvoid [pAv]pBounce [pBn]pChangeStyle [pCS]pCustom [pCu]pCustomForce [pCF]pDirectionalForce [pDF]pEmitter [pEm]pFlock [pFl]pFollow [pFo]pFriction [pFr]pGradientForce [pGF]pImage Emitter [pIE]pKill [pKI]pMerge [pMg]pPoint Force [pPF]pRender [pRn]pSpawn [pSp]pTangent Force [pTF]pTurbulence [pTr]pVortex [pVt]The Common Controls Position Nodes Volume Fog [VlF]Volume Mask [VlM]Z to World Pos [Z2W]The Common Controls Resolve Connect External Matte Saver [EMS]Shape Nodes sBoolean sDuplicate sEllipse sExpand sGrid sJitter sMerge sNGon sOutline sPolygon [sPly]sRectangle sRender sStar sTransform Common Controls Stereo Nodes Anaglyph [Ana]Combiner [Com]Disparity [Dis]Disparity To Z [D2Z]Global Align [GA]New Eye [NE]Splitter [Spl]Stereo Align [SA]Z To Disparity [Z2D]The Common Controls Tracker Nodes Tracker [Tra]Planar Tracker Node [PTra]Planar Transform Node [PXF]Camera Tracker [CTra]The Common Controls Transform Nodes Camera Shake [CSh]Crop [Crp]DVE [DVE]Letterbox [Lbx]Resize [Rsz]Scale [Scl]Transform [XF]The Common Controls USD Nodes uCamera [uCa]uImage Plane [uIm]uLoader [uLd]uMerge [uMg]uRenderer [uRn]uShape [uSh]uTransform [uXf]uVariant [uVa]uVisability [uVis]USD Lights VR Nodes VR Nodes Lat Long Patcher [LLP]Pano Map [PaM]Spherical Camera [3SC]Spherical Stabilizer The Common Controls Warp Nodes Coordinate Space [CdS]Corner Positioner [CPn]Dent [Dnt]Displace [Dsp]Drip [DRP]Grid Warp [Grd]Lens Distort [Lens]Perspective Positioner [PPn]Vector Distortion [Dst]Vortex [Vtx]The Common Controls Modifiers Modifiers Anim Curves Bézier Spline B-Spline Calculation CoordTransform Position Cubic Spline Custom Poly Expression From Image Gradient Color Key Stretcher Modifier MIDI Extractor Natural Cubic Spline Offset (Angle, Distance, Position)Path Perturb Probe Publish Resolve Parameter Shake Track Vector Result XY Path Color Introduction to Color Grading The Goals of Color Correction Maximizing the Look of Your Media Emphasizing What’s Important Audience Expectations Balancing Scenes Adding Style Quality Control Never Stop Experimenting Using the Color Page The Color Page Interface The Info Palette and Clip Information Customizing the Color Page Undo and Redo in DaVinci Resolve Viewers, Monitoring, and Video Scopes Using the Viewer The Viewer Title Bar Turning Grades and/or Fusion Effects Off Viewing Isolated Channels The Viewer Toolbar Showing Marker Overlays and Annotations The Onscreen Control (OSC) Menu Zooming into the Viewer Using the Jog Bar and Transport Controls Viewer and Transport Timecode Displays Enhanced, Full, and Cinema Viewing Safe Area Overlays in the Viewer Use Gray Background Monitor Calibration Viewing Broadcast Safe Exceptions Comparing Clips in the Viewer Marker Overlays and Navigation Using Video Scopes Explanation of Each Video Scope Panning and Zooming the Video Scopes Customizing the Video Scopes Color Page Timeline and Lightbox Navigating Using the Color Page Timeline Thumbnail Contextual Menu Commands Sorting and Filtering Clips in the Thumbnail Timeline Using the Lightbox Automated Grading Commands and Imported Grades Color Match Palette Automatic Adjustments in the Primaries Palette Shot Match Broadcast Safe Using CDL Grades Using ARRI Looks Camera Raw Palette Introduction to the Camera Raw Palette Copying, Versioning, and Protecting Camera Raw Settings Making Changes to Clip Camera Raw Settings Updating Sidecar Settings for Blackmagic RAW (BRAW) Clips Primaries Palette Introduction to the Primaries Palette Shared Controls in the Primaries Palette Color Wheels and Bars Log Wheels Mode Offset and Printer Points HDR Palette Introduction to the HDR Palette The HDR Palette Interface Making Global Adjustments Black Offset Explained Making Zone-Based Adjustments Customizing Zones Using the Zone Panel Resetting Color and Zone Adjustments Using the HDR Palette With DaVinci Control Panels Primary Grading Controls Introduction to the RGB Mixer Palette Preserve Luminance Resetting the RGB Mixer Swap Channels Buttons Using the RGB Mixer in Monochrome Mode Curves Introduction to Curves Custom Curves Soft Clip The HSL Curves Color Warper Introduction to the Color Warper Previewing Which Colors Are Warped By Each Control Point Sampling to Warp Colors Hue – Saturation Controls Chroma – Luma Controls Secondary Qualifiers Secondary Qualifiers Basic Qualification Using the 3D Qualifier Basic Qualification Using the HSL Qualifier HSL Qualifier Presets Using Highlight to See What You’re Isolating Showing Picker RGB Values Qualifier Parameters Matte Finesse Controls The Many Ways to Invert a Key Combining Qualifiers and Windows Manipulating Keys Using Additional Nodes Secondary Windows Power Windows The Window Palette Interface Drawing Curves Combining Power Windows with the Mask Control Copying and Pasting Windows Saving Window Presets Using Windows and Qualifiers Together Magic Mask Magic Mask (Studio Version Only)What Magic Mask Is Good For, and What It’s Not The Magic Mask Interface Choosing What to Isolate Using Matte Finesse Controls Adding Strokes to Guide Mask Creation Managing Strokes in the Stroke List Stroke Duration Tracking Strokes to Follow Subject Motion Motion Tracking Windows Motion Tracking Windows Tracker Palette Controls in More Detail Cloud Tracker Workflows Point Tracker Workflows Rotoscoping Window Shapes After Tracking Using the Gallery Using the Gallery Where are Stills Saved?Live Previews of Gallery Stills Playing Stills and Setting Up Image Wipes Timeline Wipes Labeling and Searching for Stills and Sources Gallery Options Organizing Stills Using Albums Browse all Grades from the Current Timeline The Gallery Management Window Importing and Exporting Stills Using and Organizing Memories Grade Management Using Versions to Manage Grades Copying Grades Copying Individual Nodes and Settings Rippling Adjustments Among Multiple Clips Appending a Node to Multiple Clips Using Shared Nodes Using Adjustment Clips Using Groups Exporting Grades and LUTs Node Editing Basics Node Editor Basics Turning Grades and/or Fusion Effects Off Resetting Nodes Previewing and Restoring Node Trees Caching Specific Nodes to Improve Performance Editing Node Trees Keeping Node Trees Organized Using Compound Nodes Identifying Nodes Putting Nodes into HDR Mode Clip vs. Timeline Grading Image Processing Order of Operations Overall Image Processing Image Processing Within Grades Serial, Parallel, and Layer Nodes Serial, Parallel, and Layer Node Tree Structures Serial Node Structures Parallel Node Structures Layer Mixer Node Structures Combining Keys and Using Mattes Introduction to Manipulating and Combining Keys Outside Nodes Feeding Keys From One Node to Another Connecting Key Outputs to RGB Inputs, and Vice Versa Using External Mattes Using Mattes From the Fusion Page Using the Key Mixer Using the Key Palette Channel Splitting and Image Compositing Isolating, Splitting, and Converting Color Channels Enabling, Disabling, and Converting Node Channels Splitting Channels with the Splitter/Combiner Nodes Multi-Channel RED HDRx Support Introduction to Compositing Using the Alpha Output Using a Qualifier Key to Create Transparency Using a Matte to Create Transparency Setting the Composite Mode in a Corrector Node Using OFX Alpha Channels (Legacy)Keyframing in the Color Page Introduction to Keyframing The Keyframe Editor Interface All/Color/Sizing Keyframing Methods Using Specific Keyframing Tracks Automatic Keyframing Modifying Keyframes Copying Keyframes Keyframes and Saved Stills Adding EDL Marks Copying and Importing Grades Using ColorTrace Copying Grades Using ColorTrace Using ColorTrace in Automatic Mode Using ColorTrace in Manual Mode Importing CDL Data Using ColorTrace Using LUTs What is a LUT?Supported LUT Formats LUTs and ACES Adding Lookup Tables of Your Own LUT Controls in the Project Settings Applying LUTs to Source Clips Using the Color Page LUT Browser Applying a LUT Within a Node Missing LUTs Exporting LUTs DaVinci Resolve Control Panels About The DaVinci Resolve Control Panels Updating the Control Panels Firmware Using the DaVinci Resolve Micro Panel Using the DaVinci Resolve Mini Panel Using the DaVinci Resolve Advanced Control Panel (Legacy Layout)Using the DaVinci Resolve Advanced Control Panel (2020 Layout)Color Page Effects Using Open FX and Resolve FX Resolve FX Open FX Browsing the Effects Library Using Resolve FX and Open FX in the Color Page Applying Resolve FX and Open FX Plugins Resolve FX and Open FX Settings Resolve FX and Open FX Onscreen Controls Keyframing Resolve FX and OFX in the Inspector Motion Tracking Resolve FX and Compatible OFX Plugins Sizing and Image Stabilization The Five Color Page Sizing Modes Sizing Controls with the DaVinci Control Panel Using Node Sizing for Channel and Paint Effects Image Stabilization in the Tracker Palette Using Stabilization to Create a Match Move Tracking and Stabilizing with the DaVinci Control Panel The Motion Effects and Blur Palettes Motion Effects Palette The Blur Palette Resolve FX Overview Resolve FX Catalogue of Resolve FX Filters Resolve FX Blur Box Blur Directional Blur Gaussian Blur Lens Blur (Studio Version Only) Mosaic Blur Radial Blur Zoom Blur Resolve FX Color ACES Transform Chromatic Adaptation Color Compressor (Studio Version Only)Color Space Transform Color Stabilizer (Studio Version Only)Contrast Pop (Studio Version Only)DCTL (Studio Version Only)Dehaze (Studio Version Only)Despill False Color (Studio Version Only)Flicker Addition Gamut Limiter Gamut Mapping (Studio Version Only)Invert Color Resolve FX Generate Color Generator Color Palette (Studio Version Only)Grid Resolve FX Key 3D Keyer Alpha Matte Shrink and Grow (Studio Version Only)HSL Keyer Luma Keyer Resolve FX Light Aperture Diffraction (Studio Version Only)Glow Halation (Studio Version Only)Lens Flare (Studio Version Only) Lens Reflections (Studio Version Only)Light Rays Resolve FX Refine Beauty (Studio Version Only)Custom Mixer Depth Map (Studio Version Only)Face Refinement (Studio Version Only)Relight (Studio Version Only)Resolve FX Revival Automatic Dirt Removal (Studio Version Only)Chromatic Aberration Removal (Studio Version Only)Dead Pixel Fixer (Studio Version Only)Deband (Studio Version Only)Deflicker (Studio Version Only)Dust Buster (Studio Version Only)Frame Replacer (Studio Version Only)Noise Reduction (Studio Version Only)Object Removal (Studio Version Only)Patch Replacer (Studio Version Only)Resolve FX Sharpen Sharpen (Studio Version Only)Sharpen Edges (Studio Version Only)Soften and Sharpen (Studio Version Only)Resolve FX Stylize Abstraction (Studio Version Only)Blanking Fill Drop Shadow Edge Detect Emboss Mirrors Pencil Sketch in DaVinci Resolve (Studio Version Only)Prism Blur Scanlines Sky Replacement Stylize (Studio Version Only)Tilt-Shift Blur (Studio Version Only)Vignette Watercolor (Studio Version Only)Resolve FX Temporal Motion Blur (Studio Version Only)Motion Trails (Studio Version Only)Smear (Studio Version Only)Stop Motion Resolve FX Texture Analog Damage (Studio Version Only)Detail Recovery (Studio Version Only)Fast Noise Film Damage Film Grain (Studio Version Only)JPEG Damage Texture Pop (Studio Version Only)Resolve FX Transform Camera Shake (Studio Version Only)Match Move (Studio Version Only)Surface Tracker (Studio Version Only)Transform Video Collage Resolve FX Warp Dent Lens Distortion (Studio Version Only)Ripples Vortex Warper (Studio Version Only)Waviness Fairlight Using the Fairlight Page The Fairlight Page User Interface The Interface Toolbar The Audio Timeline Toolbar Customizing Clip Display in the Timeline Customizing the Timeline’s Display Mixer The Monitoring Panel The Media Pool Effects Library ADR Sound Library Browser Index Inspector Test Tone Settings for Generating Tone, Noise, and Beeps Generating Timecode Pro Tools AAF Import Dual Monitor Layout Customizing the Fairlight Page Undo and Redo in DaVinci Resolve Setting Up Tracks, Busses, and Patching Audio Tracks What Is a Bus?Controlling Signal Flow Link Grouping Creating Busses Assigning Busses Setting Signal Paths The Fairlight Presets Library Transport Controls, Timeline Navigation, and Markers Transport Controls and JKL Navigation Clip, Marker, and Track Navigation Zooming and Scrolling Using Flags Using Markers Recording Setting Up to Record Recording Using the Onscreen Controls Recording and Editing Multiple Takes Using Layering Recording VSTi Instruments ADR (Automated Dialog Replacement)ADR (Automated Dialog Replacement)Setting up to Do an ADR Session Creating and Importing ADR Cue Lists Recording ADR to the Timeline Editing Basics in the Fairlight Page Compatible Audio Formats Editing Audio Clips Into the Timeline Making Audio Clip Selections in the Timeline Locking Audio Tracks Splitting Clips Trimming Clips Without Rippling the Timeline Disabling and Re-Enabling Clips in the Timeline Deleting Audio Clips and Regions Cut, Copy, and Paste Paste and Remove Attributes Audio Clip Layering Audio Compound Clips Audio Crossfades Fades and Crossfades Finding Clips in the Media Pool Changing Clip Color in the Timeline Editing Audio Clips in External Editors Exporting Audio Clips to External Files Sample Editing Audio Clip Specific Inspector Adjustments Making Adjustments in the Inspector Audio Settings in the Inspector Paste and Remove Attributes Setting Clip Volume Volume Pan Voice Isolation Dialogue Leveler Pitch Controls Speed Change Controls Equalizer Controls Paste and Remove Attributes for Clips and Tracks Mixing in the Fairlight Page Introduction to Mixing The Mixer Customizing the Onscreen Mixer Controls Selecting Channel Strips and Tracks Track Organization Fairlight Mixer Signal Path Input Effects Effects In Dynamics EQ Bus Sends Pan Bus Assignment Buttons Nested Audio Timelines VCA Faders Arm, Solo, and Mute Buttons Fader Controls Metering Options Bouncing Audio Third-Party Control Panel Support for Mixing Mix Automation Creating Mix Automation Drawing Mix Automation Editing Mix Automation Curves Recording Mix Automation Automation Controls How to Record Automation Viewing Automation in the Timeline Overwriting Automation Automation Follows Edit Editing Automation Fairlight > Automation Controls Playing Automation Track Groups Track Groups Audio Effects Elastic Wave Audio Retiming About Audio Plugins Using Audio Plugins Applying Audio Plugins to Busses Dealing With Processor Intensive Plugins Fairlight FX Common Controls For All Fairlight FX Chorus De-Esser De-Hummer Delay Dialogue Processor Dialogue Leveler Distortion Echo Flanger Foley Sampler Frequency Analyzer LFE Filter Limiter Meter Modulation Multiband Compressor Noise Reduction Phase Meter Pitch Reverb Soft Clipper Stereo Fixer Stereo Width Surround Analyzer Vocal Channel Voice Isolation Audio Meters and Audio Monitoring The Monitoring Panel Track Meters and Monitoring Controls Bus Meters Meter Plugin Surround Analyzer Compound Meters and Output Bus Selection Menu Metering Options Viewer Signal Flow Diagrams Signal Flow Overview Audio Processing Path Immersive Audio Workflows About Immersive Audio Formats Dolby Atmos(tm)Immersive Format Configuration MPEG-H Authoring B-Chain Support for Audio Monitoring (Studio Version Only)Space View Channel Monitoring Using the Fairlight Desktop Console About the Fairlight Desktop Console Desktop Console Functional Overview Fairlight Desktop Console Fairlight Desktop Console Configurations Performing Firmware Updates Using the Fairlight Audio Editor About the Fairlight Audio Editor Audio Editor Functional Overview Fairlight Audio Editor Editor Screen with Soft Controls Fairlight Studio Utility Configuring the Fairlight Panels Modular Fairlight Consoles About the Fairlight Console Components Fairlight Console Audio Editor Fairlight Console Channel Control Fairlight Console Channel Fader Fairlight Console Conﬁgurations Additional Fairlight Hardware Performing Firmware Updates Deliver Using the Deliver Page Delivery Effects Processing Using Quick Export The Deliver Page The Interface Toolbar Rendering Files vs. Outputting to Tape The Render Settings The Deliver Page Timeline The Viewer The Render Queue Rendering Media Delivery Effects Processing Using Presets for Fast Rendering Import and Export Custom Presets Choosing a Location to Render Single Clip vs. Individual Clips All Other Render Settings for Output Additional Outputs How to Avoid Overwriting Clips When Rendering Output Media Defining a Range of Clips and Versions to Render Using the Render Queue Rendering Jobs from Multiple Projects at Once Remote Rendering Native IMF Encoding and Decoding (Studio Version Only)Delivering DCP and IMF Native Unencrypted DCP Encoding and Decoding (Studio Version Only)Rendering IMF Segments and DCP Reels Creating DCP/IMF Supplemental Packages Photon Validation of IMF Packages Using and Licensing EasyDCP Switching Between Native DCP and EasyDCP Encoding EasyDCP Color Management EasyDCP Output in the Deliver Page Delivering to Tape The Tape Output Interface Setting Up for Tape Output Edit to Tape Queue Option Menu Settings Tape Output Procedures Exporting Timelines to Other Applications Exporting Timelines from DaVinci Resolve Exporting to OTIO Exporting to AAF/XML More About Exporting to AAF Exporting an EDL Exporting a Missing Clips EDL Exporting Timeline Markers to EDL Exporting to CDL Exporting the Edit Index as a CSV or TXT File Exporting to ALE Exporting to ALE with CDL Exporting Timeline Markers to EDL Exporting and Importing Media Pool Metadata Blackmagic Cloud Blackmagic Cloud Project Server Cloud Project Libraries Blackmagic Cloud Storage Blackmagic Cloud Storage Setting up a BlackmagicCloud Project Blackmagic Cloud Sync Manager Automatic Proxy Generation and Upload to Blackmagic Cloud Storage Blackmagic Cloud Presentations Blackmagic Presentations Creating and Managing Presentations Using Presentations Presentations in DaVinci Resolve Project Libraries, Collaborative, and Remote Workflows Managing Project Libraries and Project Servers What is a Project Library?Using Project Libraries Local Project Libraries Network Project Libraries Using the DaVinci Resolve Project Server Application Sharing Network Project Libraries via the Project Server Cloud Project Libraries Collaborative Workflow Introduction to Collaborative Workflow Requirements for Collaboration Enabling Multiple User Collaboration Opening Projects to Collaborate Customizing Your Collaborator Identification How Collaboration Works Examples of Collaborators Working Together Managing Notes Among Collaborators Collaboration Chat Remote Grading and Remote Monitor Introduction to Remote Grading Requirements for Remote Grading Setting Up for Remote Grading Remote Grading Restrictions DaVinci Remote Monitor (Studio Version Only)Requirements for DaVinci Remote Monitor Setting Up DaVinci Remote Monitor DaVinci Remote Monitor Restrictions Advanced Workflows Workflow Integrations Workflow Integrations in DaVinci Resolve (Studio Version Only)Creating Workflow Integration Plugins Workflow Integration Plugins Codec Plugins (Studio Version Only)Creating DCTL LUTs About DCTL DCTL Syntax A Simple DCT LUT Example A Matrix DCT LUT Example A More Complex DCT LUT Example TCP Protocol for DaVinci Resolve Transport Control About the TCP Protocol Version 1.2 TCP Protocol Stream Menu Descriptions DaVinci Resolve File Edit Trim Timeline Clip Mark View Playback Fusion Color Fairlight Workspace Help Regulatory Notices Safety Information Warranty