Deliver

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‌Deliver

PART 14 — CONTENTS

185 Delivery Effects Processing �� 4018

186 Using the Deliver Page �� 4023

187 Rendering Media �� 4030

188 Delivering DCP and IMF �� 4065

189 Delivering to Tape �� 4080

190 Exporting Timelines to Other Applications �� 4088

Using the Deliver Page Delivery Effects Processing When Rendering a Single Clip or When Outputting to Tape When Rendering Individual Source Clips for Round-Trip Workflows More About Rendering Speed Effects Determining the Rendered Output Resolution of Clips in Mixed Timelines Rendering Edit and Input Sizing Adjustments Rendering Mixed Frame Rate Timelines Export Alpha Channels in Individual Clips Mode Export Alpha Channels in Single Clip Mode Using Quick Export The Deliver Page The Interface Toolbar Rendering Files vs. Outputting to Tape The Render Settings The Deliver Page Timeline Filtering the Thumbnail Timeline The Viewer Disabling Viewer Updates While Rendering The Render Queue Rendering Media Delivery Effects Processing Using Presets for Fast Rendering Custom YouTube, Vimeo, Twitter, Tik Tok, and Dropbox Presets ProRes Master H.264 Master H.265 Master IMF (Studio Version Only)Frame.io Final Cut Pro 7 or X XML Premiere XML Avid AAF Pro Tools Audio Only Creating and Using Your Own Presets Import and Export Custom Presets Choosing a Location to Render Single Clip vs. Individual Clips Single Clip Individual Clips All Other Render Settings for Output Video Panel Audio Panel File Additional Outputs How to Avoid Overwriting Clips When Rendering Output Media Defining a Range of Clips and Versions to Render Choosing Which Versions to Render for Each Clip Using the Render Queue Rendering Jobs from Multiple Projects at Once Remote Rendering Using Multiple Project Libraries in Remote Rendering Sharing Storage Setting Up and Using Remote Rendering When You’re Finished Remote Rendering Setting Up a “Headless” Remote Rendering Workstation Native IMF Encoding and Decoding (Studio Version Only)Delivering DCP and IMF Native Unencrypted DCP Encoding and Decoding (Studio Version Only)Native DCP Encoding Parameters Rendering IMF Segments and DCP Reels Creating DCP/IMF Supplemental Packages Importing a DCP or IMF Into a Timeline Editing the Resulting Timeline Dolby Vision Metadata Exporting Photon Validation of IMF Packages Validating in the Media Pool Validating on Export Using and Licensing EasyDCP Requesting Your Server Certificate Set Importing Your Server Certificate Set Switching Between Native DCP and EasyDCP Encoding EasyDCP Color Management EasyDCP Output in the Deliver Page KDM Generation and Management Publishing Your Encrypted Digital Cinema Package Playing Your Digital Cinema Package Playing Third-Party Digital Cinema Packages Delivering to Tape The Tape Output Interface Gang Timecode to Tape Insert/Assemble Drop-down Menu Start Record Button Setting Up for Tape Output General Options Capture and Playout Settings Capture Playout Settings Edit to Tape Queue Option Menu Settings Tape Output Procedures Power Mastering Outputting a Program From the Timeline Batch Outputting Multiple Clips Exporting Timelines to Other Applications Exporting Timelines from DaVinci Resolve Exporting to OTIO Exporting to AAF/XML More About Exporting to AAF Exporting an EDL Exporting a Missing Clips EDL Exporting Timeline Markers to EDL Exporting to CDL Exporting the Edit Index as a CSV or TXT File Exporting to ALE Exporting to ALE with CDL Exporting Timeline Markers to EDL Exporting and Importing Media Pool Metadata

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