Fairlight

< Previous | Contents | Next >

‌Fairlight

PART 13 — CONTENTS

166 Using the Fairlight Page �� 3568

167 Setting Up Tracks,

Busses, and Patching �� 3617

168 Transport Controls,

Timeline Navigation, and Markers �� 3638

169 Recording �� 3647

170 ADR (Automated Dialog Replacement)�� 3656

171 Editing Basics in the Fairlight Page �� 3665

172 Audio Clip Specific

Inspector Adjustments �� 3708

173 Mixing in the Fairlight Page �� 3722

174 Mix Automation �� 3763

175 Track Groups �� 3783

176 Audio Effects �� 3788

177 Fairlight FX �� 3799

178 Audio Meters and Audio Monitoring �� 3831

179 Signal Flow Diagrams �� 3844

180 Immersive Audio Workflows �� 3846

181 Using the Fairlight Desktop Console �� 3867

182 Using the Fairlight Audio Editor �� 3920

183 Fairlight Studio Utility �� 3971

184 Modular Fairlight Consoles �� 3980

Using the Fairlight Page The Fairlight Page User Interface The Interface Toolbar The Audio Timeline Controls in the Audio Timeline Zooming Audio Waveform Height Audio Editing Modes Switching Among Multiple Timelines Toolbar Timeline View Options Grid View Options Setting the Tempo Grid Start Setting the Tempo Grid from a Range Selection Customizing Clip Display in the Timeline Customizing the Timeline’s Display Playhead Modes Visible Video Tracks Video and Audio Scrollers Mixer The Monitoring Panel Viewer The Media Pool Importing Media Into the Media Pool on the Fairlight Page Media Pool Preview Player Bins, Power Bins, and Smart Bins Showing Bins in Separate Windows Filtering Bins Using Color Tags Sorting the Bin List Filtering Clips With Audio in the Fairlight Page Effects Library Effects Library Favorites ADR The List Panel The Record Panel The Setup Panel Sound Library Browser Library Controls Display Controls and the Search Field Preview and Audition Controls Sound Effect List Index Edit Index Tracks Markers Inspector Metadata Editor Test Tone Settings for Generating Tone, Noise, and Beeps Generating Timecode Pro Tools AAF Import Dual Monitor Layout Customizing the Fairlight Page Fairlight Configuration Presets Undo and Redo in DaVinci Resolve Setting Up Tracks, Busses, and Patching Audio Tracks What Is a Bus?Surround Panning and Bussing Bus to Bus Routing and Mixing Using Legacy Fixed Bussing Busses in Nested Timelines Exposing Bus Tracks in the Timeline Controlling Signal Flow Defining Audio Track Types Adding Tracks (Contextual Menu)Rearranging Tracks Changing Track Type Deleting Tracks Link Grouping Working Separately with Multichannel Audio File Elements Creating Busses Assigning Busses Bus Assignment Using the Mixer The Bus Assign Window Setting Signal Paths Using the Patch Input/Output Window Using a Channel Strip’s Input Menu Input Menu with Legacy Fixed Bussing The Fairlight Presets Library Using the Presets Library Transport Controls, Timeline Navigation, and Markers Transport Controls and JKL Navigation Transport Controls Using JKL to Control Playback Dragging the Playhead to Scrub Looping Playback Loop Jog Scrubbing Moving the Playhead Using Timecode Clip, Marker, and Track Navigation Selecting Tracks Moving the Clip Selection Moving the Track Selection Zooming and Scrolling Setting the Zoom Level of the Timeline Scrolling Through the Timeline Using Flags Using Markers Adding Markers to Clips Adding Markers to Timelines Recording Setting Up to Record Patching Inputs Arming Tracks Record Name Prefix Choosing Where to Record Audio Clips To User-Selectable Input Monitoring Options Recording Using the Onscreen Controls Recording and Editing Multiple Takes Using Layering Recording VSTi Instruments ADR (Automated Dialog Replacement)ADR (Automated Dialog Replacement)The ADR Interface Setting up to Do an ADR Session Creating and Importing ADR Cue Lists Manually Creating an ADR Cue List Importing Cues Recording ADR to the Timeline Editing Basics in the Fairlight Page Compatible Audio Formats Editing Audio Clips Into the Timeline Overwriting Vs. Layering Clips That Overlap Choosing Parts of Clips to Edit in the Media Pool Dragging Audio Clips Into the Timeline Moving Audio Clips to Embedded Timecode Position Support for Mixed Audio Track Formats from Source Clips Making Audio Clip Selections in the Timeline Fairlight Edit Mode Remains Between Application Restarts Selecting Tracks Using Pointer Mode Using Range Mode Using Focus Mode Commands For Editing and Extending the Selection Locking Audio Tracks Splitting Clips Linked Clips in the Fairlight Page Trimming Clips Without Rippling the Timeline Multi-Point Editing Overview Resizing the In and Out Points of a Clip Trim Start and Trim End Trim to Selection Moving and Overwriting Clips Subframe Nudging Slipping Duplicating Clips Disabling and Re-Enabling Clips in the Timeline Deleting Audio Clips and Regions Cut, Copy, and Paste Conventional Cut, Copy, and Paste Using the Cut/Copy Head and Tail Commands Paste and Remove Attributes Clip Attributes Naming Copying and Pasting Clip Attributes Copying and Pasting Track Attributes Removing Attributes Audio Clip Layering Audio Compound Clips Audio Crossfades Fades and Crossfades Using Fades Batch Fade and Crossfade Editor in the Fairlight Page Fade In and Out to Playhead Creating Crossfades With Overlapping Fades Using Crossfades From the Edit Page Finding Clips in the Media Pool Changing Clip Color in the Timeline Editing Audio Clips in External Editors Exporting Audio Clips to External Files Sample Editing Waveform Zero Crossing Indicator Audio Clip Specific Inspector Adjustments Making Adjustments in the Inspector Using the Inspector Audio Settings in the Inspector Adjusting Multiple Clips at the Same Time Animated Inspector Adjustments Paste and Remove Attributes Setting Clip Volume Adjusting Volume in the Inspector Adjusting Volume in the Timeline Adding and Adjusting Volume Keyframes in the Timeline Normalize Audio Levels Command Volume Pan Voice Isolation Dialogue Leveler Pitch Controls Speed Change Controls Equalizer Controls Master EQ Controls Graphical EQ Controls Bands 1 and 4 Bands 2 and 3 Paste and Remove Attributes for Clips and Tracks Mixing in the Fairlight Page Introduction to Mixing The Mixer Tracks and Busses FlexBus Routing and Mixing Customizing the Onscreen Mixer Controls Managing Channel Strips Using the Index Selecting Channel Strips and Tracks Track Organization Fairlight Mixer Signal Path What Is An Effects Insert?Input Path Settings Effects Changing the Order of Effects on a Channel Moving Inserts by Dragging Copying and Pasting Effects Copying and Pasting Effect Settings Effects In Dynamics The Dynamics Graph Master Dynamics Controls Expander/Gate Compressor Limiter EQ Master EQ Controls The EQ Graph Bands 1 and 6 Bands 2–5 Bus Sends Creating Sends Accessing the Bus Sends Window Legacy Bus Sends – “Auxiliaries”Pan The Stereo and Surround Pan Controls The 3D Audio Pan Controls Bus Assignment Buttons Legacy Mixer Bus Assignment Nested Audio Timelines VCA Faders Making Fader VCA Assignments Using VCA Faders Recording Fader Automation for VCAs Nesting VCAs Arm, Solo, and Mute Buttons Fader Controls Metering Options Level Metering Options Pre-fader Metering Solo and Pre-fader Metering Target Loudness Level Bouncing Audio Third-Party Control Panel Support for Mixing Mix Automation Creating Mix Automation Drawing Automation Recording Automation What Can Be Automated Why Use Track Automation?Drawing Mix Automation Enabling and Viewing Automation Editing Mix Automation Curves Using Edit Operations Adjusting the Automation Line Recording Mix Automation Automation Controls How to Record Automation Recording Automation for Multiple Tracks Recording Automation for Specific Individual Tracks Automation Preview Mode Automation Active Range Viewing Automation in the Timeline Overwriting Automation Automation Follows Edit Editing Automation Adjusting and Deleting Automation Keyframes Fairlight > Automation Controls Automation – Copy/Paste/Erase Automation – Mix List Playing Automation Track Groups Track Groups Editing with Track Groups Mixing with Track Groups Creating and Editing Track Groups The Mixer and Track Groups Audio Effects Elastic Wave Audio Retiming Elastic Wave Options Elastic View Clearing Timing Points About Audio Plugins Fairlight FX VST and VSTi Audio Units Using Audio Plugins Applying Audio Plugins to Busses Dealing With Processor Intensive Plugins Caching Audio Clips With Plugins Exporting Audio Clips With Plugins Fairlight FX Common Controls For All Fairlight FX Chorus De-Esser De-Hummer Delay Dialogue Processor Dialogue Leveler Distortion Echo Flanger Foley Sampler Frequency Analyzer LFE Filter Limiter Meter Modulation Multiband Compressor Noise Reduction Phase Meter Pitch Reverb Soft Clipper Stereo Fixer Stereo Width Surround Analyzer Vocal Channel Voice Isolation Audio Meters and Audio Monitoring The Monitoring Panel Track Meters and Monitoring Controls Bus Meters Meter Plugin Surround Analyzer Compound Meters and Output Bus Selection Menu Monitoring Menus Control Room Meters Loudness Meters Offline Loudness Analyzer Metering Options Level Metering Options Pre-fader Metering Target Loudness Level Viewer Cinema Viewer on Fairlight Page Signal Flow Diagrams Signal Flow Overview Audio Processing Path Immersive Audio Workflows About Immersive Audio Formats Dolby Atmos(tm)Dolby Atmos Speaker Configurations Enabling Dolby Atmos The Components of a Dolby Atmos Mix Predetermined Dolby Atmos Master Rules Dolby Atmos Integration Binaural Audio Monitoring Binaural Render Options Immersive Format Configuration Exporting ADM BWF Parallel Loudness Measurement Low-latency Rendering Surround Buses in Fairlight (Studio Version Only)Object-Based Format Support (Studio Version Only)Auro-3D Support (Studio Version Only)Dolby Atmos Configuration Controls Atmos Re-Renders MPEG-H Authoring Track Configuration Export Quality Control B-Chain Support for Audio Monitoring (Studio Version Only)Overview of Setting Up a B-Chain Configuration Space View Channel Monitoring Using the Fairlight Desktop Console About the Fairlight Desktop Console Connecting to a Monitor via HDMI Desktop Console Functional Overview Types of Controls Desktop Console Modes Undo, Modifier and Arrow Keys Track Select Buttons Fairlight Desktop Console Control Buttons Fader Channel Strips Automation Buttons Channel Buttons Monitoring Controls Search Dial and Transport Controls Modifier and Undo Buttons Arrow Keys User Buttons Fairlight Desktop Console Configurations Performing Firmware Updates Using the Fairlight Audio Editor About the Fairlight Audio Editor Audio Editor Functional Overview Types of Controls Audio Editing Modes Transport, Modifier, and Escape Keys Latch, Long, and Momentary Key Press Functions Track Selection Keys Moving Track Selection with the Jog Wheel Switching Pages Fairlight Audio Editor Monitor Section Numeric Keypad Jog Wheel with Fixed Keys and Soft Menu Picture Keys Self-Labeling Picture Keyboard Selecting a Clip vs a Range Setup Mode Toolset Record Mode Toolset Monitor Mode Toolset Macros Mode Toolset Mix Mode Toolset Edit Mode Toolset Alternate Picture Key Toolsets Editor Screen with Soft Controls Visual Feedback between Soft Controls and the Editor Screen Macro Quick Keys Fairlight Studio Utility Configuring the Fairlight Panels DaVinci Control Panel Setup Changing Network Settings Fairlight Studio Utility Selecting your Fairlight Console in DaVinci Resolve Modular Fairlight Consoles About the Fairlight Console Components Fairlight Console Audio Editor Channel Control Modes Fairlight Console Channel Control Channel Control Buttons and Channel Control Knobs In-Line Channel Extension Buttons Fairlight Console Channel Fader LCD Fader Channel Display Rotary Knob Fader Channel Control Buttons Touch-Sensitive Faders Fader Bank Display Buttons Fairlight LCD Monitors Fairlight Console Conﬁgurations Additional Fairlight Hardware Performing Firmware Updates

< Previous | Contents | Next >